My favorite part of almost any costume is in the details. That may mean quilting, fabric manipulation, embroidery, appliqué, trims, or other techniques depending on the feel of the costume, but I always like to find some way to add texture, richness, and depth to each piece. Today I’m going to talk about a cording technique that’s been used on a few of the Cosplay by McCall’s patterns to give decorative appliqué a more dimensional look. You can see the effect in the sample above, which is a detail of the appliqué that our designer created for M2081.
This is a useful method if you have a little bit of a fancy brocade or tapestry fabric that you want to highlight but not enough to use it for the main fabric; if you want the look of large-scale embroidery without having to do it all by hand; or if you’ve found a great print, but it’s too lightweight or the wrong type of fabric for your project. The couched cord embellishments cover the edges of the appliqués, giving them a neat, finished look with a hand-worked effect. You can see how our designer used this corded appliqué technique on Cosplay by McCall’s patterns here and here, and read on for the full tutorial.
We love a good corset pattern! Today we’re thrilled to announce two new corset patterns from Anachronism in Action, available exclusively from Cosplay by McCall’s. The SHAPESHIFTER underbust corsets have two different construction options, with bonus tips on working with sequin fabrics. The LACED overbust corset package includes information on creating the lace appliqué embellishments. And you can enter for a chance to win both patterns, plus the other three Cosplay by McCall’s patterns, plus a NEW SEWING MACHINE here!
Anachronism in Action patterns are the creation of designer Kelly Cercone, a celebrated freelance costumer based in Los Angeles. A lover of drama, mischief and rich colors, she can be found sewing and pattern drafting for television, film, theater, music tours and local fashion companies in addition to her own brand. To celebrate the launch of these designs, and help you get to know the designer, we asked her a few questions about her background, inspirations, and favorite techniques.
In the last post I talked about how I adapted Yaya Han’s peacock costume pattern, M7218, to create my phoenix costume. That post covered my style changes, so today I’ll talk a little bit more about how I created the understructure for this costume.